- PASSIVE DI
The Radial JDI is a warm sounding passive direct box that can transfer extreme signal levels without distortion while eliminating hum and buzz caused by ground loops.PRODI
The Radial ProDI is a high performance passive direct box that is ideally suited for bass and acoustic guitar to deliver a warm, distortion-free sound.Trim-Two
The Radial Trim-Two is a passive direct box, designed for use with laptop computers and other consumer type devices where the user has a requirement for a 'ready access' volume control for quick adjustments on stage.JDI Stereo
The Radial JDI Stereo is a passive stereo direct box designed to handle extreme signal levels without distortion of any kind.PROD2
The Radial ProD2 is a high performance stereo direct box designed to easily interface keyboards to the PA and recording system without noise.StageBug SB-2
The Radial SB-2 is a passive direct box designed for keyboards and active bass. Features stereo to mono mix function to save mixer channels.JDI Duplex
The Radial JDI Duplex is a stereo passive direct box that fully capable of handling any audio signal without distortion, artefact or noise.ProAV1 & PROAV2
The Radial ProAV is a passive direct box with stereo-to-mono merge function designed specifically for the audio-video integrator to reduce channel requirements.StageBug SB-5
The Radial StageBug SB-5 is a compact stereo direct box designed to accommodate laptop computers, tablets and other consumer audio products when amplifying the signal through a PA system.JD6
The Radial JD6 is a 6-channel rackmount direct box designed for keyboards in studio and live touring where optimal signal transfer is required without noise.ProD8
The Radial ProD8 is a high density 8-channel rackmount direct box optimized for professional keyboard rigs where optimizing signal transfer without noise is needed.StageBug SB5W
The Radial SB5-W is a passive stereo direct box designed to fit inside a standard electrical wall box and utilizing a Decora wall plate cover.
- ACTIVE DI
The Radial Firefly is a class-A direct box that combines a 12AX7 tube drive with transformer isolation to deliver spectacular warmth and character.J48
The Radial J48 is a 48 volt powered active direct box that delivers studio quality performance while eliminating hum and buzz caused by ground loops.JDX 48
The Radial JDX 48 is a guitar amp DI that captures the sound of the amplifier and speaker to deliver the tone of a 4x12 half-stack without the need of a microphone.USB-Pro
The Radial USB-Pro is a high-resolution DI box that converts sound files from a laptop and seamlessly transfers them to a pair of balanced audio outs.JDV MK5
The Radial JDV is a class-A direct box with a unique zero negative-feedback circuit that delivers unmatched signal purity for the most demanding recordings.J48 STEREO
The Radial J48 Stereo is a high performance active direct box with extra headroom and advanced grounding for professional touring and studio recording.PZ-DI
The Radial PZ-DI is a unique direct box that is specifically designed for acoustic and orchestral instruments.JPC
The Radial JPC is an active stereo DI with transformer isolated inputs to eliminate noise that is common with computers and consumer audio devices.Headload
The Headload is a combination load box and attenuator that is capable of handling up to 130 watts RMS of continuous power and peaks of 180 watts.PRO48
The Radial Pro48 is a high performance active direct box that is ideally suited for bass and acoustic guitars to deliver clarity without distortion or artifact.StageDirect
The Radial StageDirect is a state-of-the-art active direct box designed for musicians who require extra control when they are on stage.J33
The Radial J33 is a combination stereo phono preamp and direct box designed to interface turntables to professional audio systems.Headload Prodigy
The Headload Prodigy is a combination load box and DI that lets you perform or record at low volume with maximum tone.StageBug SB-1
The Radial SB-1 is an ultra-compact active direct box designed for acoustic guitar and bass that fits inside a guitar case!StageBug SB-4
The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers.BT-Pro
BT-Pro™ is a Bluetooth® DI designed to capture the wireless transmission from a Bluetooth® device and convert the signal to a balanced line for use in a PA.JDX Direct-Drive
The Radial JDX Direct-Drive™ is a unique and powerful device that simulates the sound of a guitar amplifier.4-Play
The Radial 4-Play™ is a multi-channel direct box that has been specifically developed for multi-instrumentalists to enable them to quickly change instruments on stage.
The Radial X-Amp is a dual output class-A active Reamper that lets you take a pre-recorded track and send it through amps and pedals without noise.Reamp JCR
The Radial Reamp JCR is a high-performance passive Reamper that lets you take a pre-recorded track and send it through a guitar amp or pedal chain without noise.ProRMP
The Radial ProRMP is a passive Reamper that lets you take a pre-recorded track and send it through a guitar amp or pedal chain without noise.X-Amp 500 Series
The Radial X-Amp is a 500 series class-A active Reamper with isolated outputs that lets you send a pre-recorded track to two amps and re-record the new sound.Reamp KIT
The Reamp Kit combines a Radial J48 direct box for recording with a Radial X-Amp for Reamping amps & pedals to enhance the tone of your recorded tracks.SGI
The Radial SGI Studio Guitar Interface class-A line driver with load correction lets you send a guitar signal beyond 100 meters via balanced cable without noise.JD7
The Radial JD7 Injector is a class-A guitar distro/splitter with built-in Radial DI and Reamp that can drive up to seven amps or pedal chains simultaneously.JX44
The Radial JX44 Air Control is a wireless signal manager for concert stage that lets you remotely control 4 guitar inputs and 6 amp outputs at once.SGI-44
The Radial SGI-44 guitar interface is a balanced signal extender designed to send the signal from a wireless receiver to the pedalboard and back to the stage amp.
JS2 / JS3
The Radial JS2 and JS3 are high performance passive microphone splitters that lets you feed mixing consoles without signal degradation or noise caused by ground loops.PRO-MS2
The Radial ProMS2 is a high performance mic splitter that accepts a balanced microphone signal and sends it to three outputs simultaneously. As a passive device, there is no need for power.OX8
The Radial OX8 is an 8-channel rack mounted microphone splitter that lets you feed two mixing consoles without signal degradation or noise caused by ground loops.LX8
The Radial LX8 is an 8-channel rack mounted line level splitter that lets you feed two audio systems without signal degradation or noise caused by ground loops.JD7
The Radial JD7 Injector is a class-A guitar distro/splitter with built-in Radial DI and Reamp that can drive up to seven amps or pedal chains simultaneously.JX44
The Radial JX44 Air Control is a wireless signal manager for concert stage that lets you remotely control 4 guitar inputs and 6 amp outputs at once.mPress
The Radial mPress is a modular press box that can be expanded as needed to feed a community-sized press gallery or distribute audio for an international event.Exo-Pod
The Radial Exo-Pod is a passive broadcast splitter that can take the balanced line output from a mixing console and distribute the signal to 14 hand-held recorders, video cameras or wireless receivers.Catapult
The Radial Catapult is a 4-channel audio snake that lets you send analog or AES digital audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable.LX-2
The Radial LX-2™ is a passive balanced line level audio splitter that allows you to easily send an audio signal to two different destinations at once without noise.LX-3
The Radial LX-3™ is a high-performance balanced line-level splitter designed to send one audio signal to as many as three destinations at once.
The Radial Twin-Iso is a two channel balanced line-level isolator that eliminates the hum and buzz caused by ground loops that is often encountered in audio systems.J-ISO
The Radial J-ISO & Pro-Iso are full bandwidth stereo interfaces that converts +4dB balanced line level signals to an unbalanced consumer level output.Pro-ISO
The Radial J-ISO & Pro-Iso are full bandwidth stereo interfaces that converts +4dB balanced line level signals to an unbalanced consumer level output.J+4
The Radial J+4 is a -10dB to +4dB stereo preamp that lets you boost a low output unbalanced signal and interface it with a balanced professional audio system.JPC
The Radial JPC is an active stereo direct box with transformer isolated inputs to eliminate noise that is common with computers and consumer audio devices.McBoost
The Radial McBoost™ is a high performance microphone signal booster designed to elevate the output of a typical dynamic microphone for greater transient response.SGI
The Radial SGI Studio Guitar Interface class-A line driver with load correction lets you send a guitar signal beyond 100 meters via balanced cable without noise.SGI-44
The Radial SGI-44 guitar interface is a balanced signal extender designed to send the signal from a wireless receiver to the pedalboard and back to the stage amp.STAGEBUG SB-6
The Radial StageBug SB-6 is a high performance 2-channel passive audio isolator designed to accommodate both balanced and unbalanced signals.STAGEBUG SB-7
The Radial StageBug SB-7 Earmuff Headphone Silencer lets you turn off one side of your headphones to stop the bleed.STAGEBUG SB-15
The Radial Stage Bug SB-15 High Performance Signal Buffer lets you drive guitar pedals without added noise and also powers 15V Tonebone pedals.ICECUBE IC-1
The Radial IceCube IC-1 is a balanced line level isolator designed to quickly eliminate hum and buzz problems in an audio system by simply inserting it into the signal path.DECODER
Decoder is a microphone preamp and Mid/Side stereo matrix that allows the user to easily create M/S recordings without having to re-configure a recording consoleSpace Heater
The Radial Space Heater is a single space 8-channel tube overdrive that can be used as a stereo summing mixer or as multi-channel studio distortion.Twinline
The Radial Twinline is a unique device that enables a guitarist to share effects pedals between two amps when using the amplifiers' built-in (rear-panel) effects loops.MR5
The Radial MR5 is a MIDI signal translator that allows you to use a MIDI controller to drive the JX44, JX42 and other Radial products that use the JR5 footswitch.
Radial studio products simplify the work-flow without affecting the signal quality to ensure creativity is not hampered during production.MC3
The Radial MC3 monitor controller is a 'straight wire' passive switcher that lets you control two sets of monitors, sub woofer and feed two sets of headphones.Gold Digger
The Gold Digger is a 4-channel mic selector that enables the engineer to quickly compare the sound of four different microphones while sharing the same preamp.Cherry Picker
The Radial Cherry Picker is a unique tool that simplifies the process of selecting the best preamp for use with a given microphone.
Guitar / Amplifier
Whether switching guitars on stage or amps in the studio, Radial offers a complete range of switchers from simple ABYs all the way up!JD7
The Radial JD7 Injector is a class-A guitar distro/splitter with built-in Radial DI and Reamp that can drive up to seven amps or pedal chains simultaneously.JX-42
The JX-42 is a compact guitar selector that lets you instantly switch between four guitars and two amps on stage.JX62
The Radial JX62 is a guitar and amp switcher designed for both wired and wireless guitars in a live concert touring environment.jx44
The Radial JX44 Air Control is a wireless signal manager for concert stage that lets you remotely control 4 guitar inputs and 6 amp outputs at once.JR5
The JR5 is a remote footswitch that lets you select guitars, amps or effects when used with the JX44 and JX42.JR2
The JR2 is a dual function remote footswitch that lets you switch or mute outputs, depending on the Radial device that is connected.BIGSHOT ABY
The Radial BigShot ABY is a true-bypass ABY switcher that toggles or combines two guitar amplifiers in phase and without hum & buzz caused by ground loops.BigShot I/O
The Radial Bigshot I/O is a true-bypass instrument selector that lets you switch between two sources and balance the signal level between them.BigShot EFX
The Radial BigShot EFX is a true-bypass effects loop switcher that lets you turn on or off two pedal-chains and take them out of the signal path when not in use.BigShot SW2
The Radial BigShot SW2 is a dual output remote control with choice of latching or impulse settings to control two amplifiers or effects.Twinline
The Radial Twinline is a unique device that enables a guitarist to share effects pedals between two amps when using the amplifiers' built-in (rear-panel) effects loops.
Radial addresses the fast paced world of live touring with a range of switchers for backing tracks, wireless systems and mixers.Relay Xo
Radial Relay Xo is a 1-in, 2-out switcher for balanced audio used with mic or line level sources as talkback and communication router.SW4
The Radial SW4 is a four channel balanced audio switcher designed for wireless systems, mixing consoles and digital guitar processors.SW8
The Radial SW8 is a backing track switcher that automatically switches between two playback systems to prevent disaster during a live performance.HotShot DM-1
The Radial HotShot DM-1 is a combination mic mute and switch that enables the artist to communicate to band members and techs via momentary footswitch.HotShot ABi
The Radial HotShot AB1 is an XLR balanced input selector that can instantly toggle between two input sources to one output via a latching footswitch.HotShot ABo
The Radial HotShot ABo is an XLR balanced output selector that can instantly toggle one input between two output destinations via a latching footswitch.JR2
The JR2 is a dual function remote footswitch that lets you switch or mute outputs, depending on the Radial device that is connected.JR2-DT
The JR2-DT is a desk-top version of the JR2. It features two top-mounted activator switches to control AB and Mute functions.BigShot SW2
The Radial BigShot SW2 is a dual output remote control with choice of latching or impulse settings to control two amplifiers or effects.
The Radial Phazer is an analog phase alignment tool that lets you combine two sources and bring the fundamentals together for a more natural tone.Phazer Bank
The Radial Phazerbank is a 4-channel analogue phase adjustment tool that enables the engineer to effortlessly adjust the phase between two microphones when double mic'ing a single source.PhazeQ
The Radial PhaseQ is 500 series phase alignment tool that lets you combine two microphones and bring them into perfect phase for a more natural tone.EXTC-SA
The Radial EXTC-SA™ is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording.EXTC
The Radial EXTC is a 500 series effects send & receive module that lets you incorporate guitar effects into the realm of pro-audio recording.Tank Driver
The Radial Tank Driver is a wonderfully unique 500 series module that allows you to drive a balanced line level signal through the reverb tank in your Fender Twin amp!Vocoloco
The Voco-Loco is a foot-controlled effects loop that enables the lead vocalist, sax or trumpet player to incorporate guitar effects pedals into the signal path, just like an electric guitarist adds effects for soloing.Trimode
The Trimode tube distortion takes you from slight overdrive to full-on distortion. Think Mesa-Boogie in a pedal and switch instantly from rhythm to lead.Vienna Chorus
The Vienna Chorus is vintage bucket-brigade chorus that delivers old-school analog tone. Dual-mode controls lets you switch from slow to fast choral effects like a Leslie.
- 500 SERIES
Choose between Radial's award-winning racks for ultimate control over your signal path. Compatible with all 500 series modules, Radial racks are equipped with extra features for greater connectivity plus resettble electronic fuses to keep your gear safe!Workhorse
The Radial Workhorse is an 8-slot 500 series power rack with a built-in analog summing mixer, headphone amp and extensive patching capabilities.WR8
The Radial WR-8 is an 8-slot power rack that lets you load up to eight 500 series modules. Can be expanded with the WM8 mixer for full Workhorse capabilities.Powerhouse
The Radial Powerhouse is a 10-slot power rack for 500 series modules designed to provide maximum density for professional studio setups.SIXPACK
The Radial SixPack is a desk-top 6-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 1600 milliamps of available current.Cube
The Radial Cube is a desk-top 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current.PowerStrip
The Radial Powerstrip is a 3-slot power rack for the popular 500 series, designed to create the ultimate channel strip with 500 milliamps of available current.
Preamps & EQs
Radial gives you a choice between tube and solid state preamps to suit your most demanding recording needs. Compliment them with choice of induction coil or discrete class-A equalizers to add creative soul, sparkle or fat bottom end.POWERPRE
The Radial PowerPre is a 500 series 100% discrete mic preamp with Accustate input control for low noise and transformer coupled output for added warmth.JDV-PRE
The Radial JDV-Pre is a 500 series class-A instrument preamp with variable load for magnetic, piezo and active sources and high-pass filter to eliminate resonance.PowerTube
The Radial Powertube is 500 series 100% discrete class-A preamp with high voltage 12AX7 tube gain stage and transformer coupled input for vintage character.Premax
The Radial PreMax is a 500 series channel strip tha combines a state-of-the-art preamp with a 3-band EQ for easy signal manipulation in post production and recording.Q3
The Radial Q3 is a 500 series induction coil EQ that brings the character and excitement of old-school vintage EQ to your recordings with over 1700 EQ curves.Phaze-Q
The Radial PhaseQ is 500 series phase alignment tool that lets you combine two microphones and bring them into perfect phase for a more natural tone.Twin-Servo
The Radial Jensen Twin-Servo & 500 series preamplifier is an updated version of what may well be the most spectacular preamp ever made.PreComp
The Radial PreComp is a 500 series channel strip that combines a state-of the-art preamp with a full-function VCA compressor for dynamic control over the signal.Q4
The Radial Q4 is a 500 series state-variable, 100% discrete class-A parametric EQ that brings character and warmth to your recordings with minimal artifact
Effects & Routing
The 500 series is all about creative use of signal processing. Radial opens the door with compressors, signal routers, cross-over filters, effects interfaces, phase alignment tools and amp simulators. Finally… amazing tools that let your imagination run wild!EXTC
The Radial EXTC is a 500 series effects send & receive module that lets you incorporate guitar effects into the realm of pro-audio recording.Shuttle
The Radial Shuttle is a 500 series patch and insert panel that lets you bring balanced and unbalanced signals in and out a 500 series power rack.Komit
The Radial Komit is a 500 series one-knob compressor-limiter designed to get great results instantly and add crunch and distortion for unque effects.X-Amp
The Radial X-Amp is a 500 series class-A active Reamper with isolated outputs that lets you send a pre-recorded track to two amps and re-record the new sound.ChainDrive
The Radial ChainDrive is a 500 series signal distribution amplifier that lets you send balanced or unbalanced signals to four outputs and control them independently.Tank Driver
A unique module that lets you to drive a balanced line level signal through the reverb tank in your Fender Twin! Drive spring reverbs of all types and deliver the long trailing shimmering effect that is only possible with a true spring.JDX-500
The Radial JDX Reactor is 500 series guitar amplifier interface that lets you capture the tone of a guitar amp and cabinet without a microphone.Submix
The Radial SubMix is a 500 series mixer that lets you combine 4 instruments such as keyboards or effects into a single audio channel via front panel controls.Tossover
The Radial Tossover is a 500 series frequency divider that lets you separate and process low and high frequencies separately via fully variable controls and slopes.
- CABLES & SNAKES
JX62™ Using & Applications
The following page is an overview that describes how to use the JX62. For complete details, we invite you to download the full manual by clicking on the icon at left.
The Radial JX62 is a guitar and amp switcher designed for live touring. It can be broken down into three basic building blocks:
- INSTRUMENT CHANNELS: There are six high-impedance input channels, each equipped with a ¼" input for the instrument or wireless system, a ¼" thru-put for connecting a dedicated stage amp or external direct box, a trim (level) control and a PFL (pre-fader listen) switch that routes the selected channel to the headphones. The channels may be used independently with their own amps or routed to the master A/B amp bus. Any or all channels may be active at one time. Channels-5 and 6 are equipped with dedicated direct boxes that allow acoustic instruments or bass guitar to connect directly to professional PA and recording systems.
- A/B OUTPUT SELECT: The output select section lets you control the A/B amps outputs. The front panel SEL switch is used to select the active amp while two LEDs display which output is active. You can also use the ON buttons to manually turn the A/B outputs on and off. At the rear panel, each A/B output features two ¼" outputs for guitar or bass amps plus parallel lo-Z balanced XLR outs for connecting to digital processors, PA and recording systems. All outputs are transformer isolated to prevent noise from ground loops and feature ground lift and 180° polarity reverse switches.
- MONITOR HEADPHONES: The monitor section works with the channel PFL switches and allows the stage technician to listen to, trouble shoot and tune instruments on or off-line. The monitor section consists of a MONITOR level control, ¼" headphone output (see warning on page 2), front and rear ¼" outputs for electronic tuners and powered monitors, and a bright LED indicator that illuminates when a channel PFL switch is depressed. When no PFL switches are used the headphones monitor the A/B amp bus.
The cool thing about the JX62 is that it can be configured in various ways, depending on your desired setup. However, we suggest starting with one instrument and one amp before adding additional instruments and electronics. This way troubleshooting is kept to a minimum. If you start by connecting everything at once it can be very hard to figure things out should you run into a problem.
First, connect a guitar or wireless system to the INST-1 INPUT. Next, connect your amp to OUTPUT-A. The amp outputs feature two parallel ¼" jacks for connecting one or two guitar or bass amplifiers.
Activate channel-1 by depressing its ON switch. The LED below the switch will illuminate indicating the channel is routed to the A/B amp bus. In the OUTPUT SELECT section, press the SEL switch to ensure output-A is active. One of the two LEDs below the SEL switch will illuminate to indicate the active output. Bring up the level on your guitar amp to a comfortable listening level.
Adding more guitarsA guitar plectrum makes a handy tool for using the TRIM and DRAG dials. Connecting amps: Each output has a pair of ¼" jacks for doubling up amps.Eliminating hum and buzz: Push the front GND LIFT switches in to eliminate hum and buzz at the ¼" amps outputs.Testing for phase: Turn on both amps and toggle the amp-B POL 180° switch. The ¼" THRU jack may be used to pass individual instrument signals on to additional devices like amps and tuners and direct boxes. To use the DRAG control on channels-1 and 2 push the recessed switch in and use the TRIM dial to set the amount of drag. The LED illuminates when DRAG CONTROL is active. The effect LOOP jacks are used to integrate. digital processor and effect pedalboards. Channel-5 and 6 DI outputs connect directly to the PA or recording consoles. Each A/B amp output bus includes a balanced XLR output with its own ground lift and polarity reverse. The PFL switch features a black cap than can be removed if not used. Channel-5 is shown with the cap removed. A bright LED under the MUTE switch. indicates the function is active. Use a small screwdriver to change setting. After connecting the JR2, push the recessed button to turn the remote on. MIDI integration using the ¼" JR2 remote interface.
After you have your first guitar and amp working, connect your second guitar (or wireless system) to the INST-2 INPUT. Use the channel ON buttons to turn off channel-1 and turn on channel-2. Note: as many channels as you like may be routed to the A/B amp bus at the same time by pressing the channel ON buttons. Continue connecting instruments to the remaining channels until done.
The TRIM controls let you reduce the input sensitivity on a particular channel. If you notice one instrument or wireless system is louder than another, you can reduce the TRIM to even the levels out between instruments. Start with all TRIM controls rotated fully clockwise.
Adding a second amp
Connect your second amp to OUTPUT-B. The two ¼" jacks are wired in parallel to make connecting more than one amp to output-B easy. Turn on your second amp and set it to a low listening level to test. Press the SEL switch to toggle the amp outputs. The LED indicator will change to amp-B.
A common problem when using two amps is hum and buzz. The A/B amp outputs are transformer isolated to help eliminate noise caused by ground loops. If however, you hear noise after connecting your second amp, try pushing in the amp-A and amp-B GND LIFT switches located on the front panel. This will float the signal grounds and further reduce noise. The switches are recessed to prevent accidental use. Use a small screwdriver to push the GND LIFT switch inward.
The next problem you may encounter when using two amps is phase cancellation that can cause the tone to seem 'thin' or 'distant' when both amps are on at the same time. Cancellation occurs when one amp is 'out of phase' and its speakers are moving in the opposite direction compared to the other amp.
To test for proper phase, turn on both amp outputs by pressing in the amp-A and amp-B ON buttons in the OUTPUT SELECT section. Set the amps to the same approximate loudness. Now try inverting the polarity by pushing in the POL 180° button on output-B only. Compare the instruments tone with the switch set to the outward position and then the inward position. Use the setting that sounds the fullest especially in the lower bass notes. If you can see the speaker cones of both amps you can visually confirm the speakers are moving in the same direction and thus in phase. Even if you are not planning on using the amps at the same time it's a good idea to set the amps in phase when sending signals to the PA or recording consoles.
The JX62 gives you two ways to control the amps. You can toggle between the two amps, one for rhythm and the other for soloing, using the front panel SEL switch or the optional JR2 footswitch. You can also bypass the A/B SE switch function and manually control the amps by depressing either the amp-A or B ON switches, located in the OUTPUT SELECT section. When either ON switch is depressed, its LED illuminates and the SEL switch is disabled.
Using the channel thru-put
Each input channel is equipped with a parallel ¼" THRU-put. This can be used to feed a dedicated guitar amp, tuner or direct box. For instance, you may be a multi-instrumentalist that occasionally plays an instrument that requires a special kind of amp. In this case, you could connect the THRU output to an amp dedicated to this instrument. Note: the THRU jack is a wired in parallel with the input jack and therefore will not be effected by the MUTE function.
There are purists that do not like the sound of wireless systems and thus prefer to connect their guitars directly to their amps using a standard guitar cable. The primary reason is that they do not like the sound of the buffer and the load that is applied on the pickup.
The JX62 is equipped with Drag Control™ load correction that works with cabled guitars and passive magnetic pickups. Drag Control allows the player to adjust the load (impedance) applied to the pickup and smooths out the response for a more natural sound. After the DRAG circuit, the instrument signal is then buffered by a 100% discrete class-A circuit that will not color the tone before routing to the master A/B amp bus.
Drag Control is available on channels-1 and 2 by depressing the recessed DRAG switch. This converts the TRIM control into a Drag Control. Since most wireless or active instruments are often louder than passive electric guitar pickups, the trim is usually not needed. Use a guitar pick to set the DRAG control to 12 o'clock and then rotate to where it sounds best to you. Turning control counter-clockwise will apply more DRAG and darken the tone while turning it clockwise will brighten the sound.
The JX62 is equipped with an effects loop that lets you route all instruments to an effect processor or pedalboard. Simply connect the ¼" SEND jack to your effect pedals and back to the JX62 via the ¼" RECV jack. Connecting your effects here enables you to share them with all the input channels and both amps. Once connected the loop will be active and you can use your effects as normal.
Using direct box outputs
Channels-5 and 6 feature dedicated direct boxes equipped with lo-Z balanced XLR outputs, ground lift and polarity reverse controls. These mic level outputs can be used to send acoustic instruments like guitar, mandolin or bass direct to the PA or recording consoles. Use standard balanced XLR microphone cable to connect the direct box outputs to the mic/line inputs of a mixing console.
The direct box outputs are controlled using the front panel DIRECT OUT switches. The direct box ON switch works independently from the channel ON button. This way you can route the signal from an acoustic instrument to the direct box output only and not the electric guitar amp unless you want to. The direct box output is transformer isolated to reduces hum and buzz caused by ground loops. The GND LIFT switch adds a further level of noise reduction. If you hear noise after connecting the direct box output to the PA system try pushing the GND LIFT switch inward. This will disconnect pin-1 on the XLR output and further eliminate noise.
The direct box POL 180° polarity reverse switch can often help tame low frequency resonant feedback that can be a problem with acoustic instruments. When frequency waves from the PA, monitors, side fi lls and stage amp collide they can reinforce each other or cancel each other out, depending on where you are standing on stage and their relative phase and intensity. The polarity reverse switch essentially 'moves' the problem out of the way. Try the switch in both positions and use the setting that works best.
Using the A/B XLR outputs
As an added convenience, the JX62 is equipped with two balanced XLR outputs that are wired in parallel to the A/B amp outputs. These can be used to feed mic inputs on a mixing console when using the JX62 as a giant DI box. They can also be used to feed digital modeling amplifi ers or effect processors for those that prefer to perform in the digital domain.
Each XLR output is transformer isolated and features a ground lift switch to further reduce hum and buzz caused by ground loops. If you hear noise after connecting, push in the GND LIFT switch. A polarity reverse switch is also provided that inverts the signal phase 180 degrees.
Using the PFL system
Pre-fader-listen or PFL is a term used on mixing consoles to describe monitoring a signal that is not live. Each input channel features a PFL switch that lets you listen to the instrument signal via headphones or send the signal to a tuner or powered monitor speaker.
For instance, the artist on stage may be using channel-1 but you want to check the instrument on channel-2 to make sure everything is working and in tune before handing off the guitar. By depressing the channel-2 PFL switch you can listen to the instrument using the built-in headphone amplifi er or send the signal to an electronic tuner or backstage amp. When the instrument is set to go, the tech can hand it off to the artist and turn on the channel.
Each channel has a PFL switch with an LED indicator that illuminates when pushed in. An LED indicator in the MONITOR section also illuminates when the PFL system is active. When one or more of the PFL switches are on, the headphones and tuner outputs will monitor the PFL bus. When all of the PFL switches are off, the headphones and tuner outputs will automatically revert to monitoring the A/B amp bus.
Note: As some guitar techs will use the PFL and others may not feel the need, we chose to equip the function with black capped switches. These can be removed by gently pulling on the black cap using a set of needle nose pliers. This opens up more space on the front panel and reduces switching errors. After the tour, you simply replace the switch caps by pushing them back on.
Connecting a tuner and monitor speaker
The JX62 features two ¼" TUNER jacks that output a line level signal of the headphone mix. You can connect electronic tuners or other devices like guitar amps or monitor speakers using standard ¼" guitar cables.
The ¼" TUNER jack on the rear panel produces a fi xed level making it well suited for connecting electronic tuners because the output is always on and the level remains stable. The second ¼" TUNER out is located on the front panel. Here the level is controlled by the MONITOR knob. This ¼" output is good for connecting amps or monitor speakers because you can adjust the volume using the MONITOR level control.
Using the mute
The JX62 includes a mute function that makes it easy to change instruments or put the system in 'standby' mode. Pressing the front panel MUTE button turns off the A/B amps outputs but leaves the direct box outputs, headphones and tuner outputs on. Note: There is an option to also mute the direct box outputs described in the next section of this user guide. The LED indicator illuminates when the mute function is active. You can continue to use the PFL system via the headphone and tuner outputs while the MUTE function is on.
Note: the ¼" THRU jacks on each channel are wired in parallel with the input jacks and therefore will not be effected by the MUTE function.
Top panel controls for channels-5 and 6
Three 'set-and-forget' controls, located on the top panel, offer additional options for channels-5 and 6. The center switch labeled MUTE ASSIGN allows you to control how the JX62's mute function works with the channel-5 and 6 direct box outputs. When set to OFF the direct box outs are not effected by the mute function and will remain on while the amp outputs are muted. With this setting you can mute the amps (electric guitars) while playing an acoustic instrument through the PA system via the direct box outputs.
When the MUTE ASSIGN is set to ON, the direct box outputs will also be turned off (muted) along with the guitar amp outs. This setting lets you use the mute function to put the system in standby mode where the amps and acoustic instruments are off. The tech can still monitor input channels and tune the instruments using the PFL system.
The two switches labeled DI OUT SWITCH allow you to link the channel and direct box ON buttons. When set to OFF the channel and direct box ON buttons work independently. Used this way you can choose to send channels-5 and 6 to the direct box outputs but not the amp outputs.
When the DI OUT SWITCH is set to the ON position, the direct box outputs will turn on/off in sync with the channel ON buttons. Used this way, one button turns on/off both the channel and the direct box output. Choose a setting that works best with your set up. The top switches are recessed to prevent accidental use. Use a small screwdriver to change setting.
Using the JR2 remote control
For artists that prefer to control A/B amp switching for solos, an optional JR2 remote footswitch may be connected using a standard balanced cable up to 30 meters (100') long. The rear panel connection features an XLR jack and a ¼" TRS jack. The JR2 works with both cable types allowing you to use whatever cable you have at hand.
After connecting the JR2, push the recessed ON button located next to the XLR jack inward. This activates the JR2 remote connection and disables the front panel A/B SEL and MUTE switches. The A/B amp ON switches will still be available for manual control of the amp outputs.
The JR2 features two footswitches that duplicate the A/B SEL and MUTE controls. Depressing the A/B footswitch will toggle the JX62 A/B outputs allowing the artist to control the amps. The MUTE footswitch activates the JX62 mute function. Because the TUNER outs and headphones remain active the artist can quietly tune between songs or turn off the guitar outputs in between sets without the aide of a technician. The JR2 derives its power from the JX62 to perform the switching and illuminates its LED indicators.
You can use a MIDI controller or sequencer to trigger the A/B switching and mute functions by connecting a MIDI controlled contact closure to the JR2 interface. One contact closure is used for the A/B switching and another for the mute.
To access the JR2 interface, use the ¼" TRS jack on the rear panel and patch it to two MIDI contact closures using an 'insert' type cable. The following diagram shows the wiring for an insert cable that breaks out the ¼" TRS jack into individual plugs that can connect two MIDI contact closures.An insert cable can be used to break out the switching and mute functions.