The following is a review by Mike Metlay originally published in the September 2017 issue of Recording Magazine. “You see, son, sometimes when a mixer and a stompbox love each other VERY much…” Radial Engineering is in the business of solving problems in the studio, including some problems that recording musicians didn’t know they had.… Read More
With Blake Shelton’s latest tour wrapping up this month, we touched base with FOH Brad Baisley on the Radial gear he chose to take and see how it performed. Turns out Brad and Blake’s bass player Rob Byus considered going in another DI direction, only to come back to the Radial J48. Brad explains: “When… Read More
Getting a good guitar tone is easy, settling on the perfect tone is impossible until you can hear it in the context of the mix. A popular adage with recording is “garbage in – garbage out”, implying that you’re doomed if you mess up the tracking process, but what if there’s a way around this?… Read More
In the spring of 2014 Sébastien Lefebvre, guitarist for Simple Plan moved his family to a new home and decided he wanted to build a home studio. He was starting to write and produce more so it made perfect sense to take advantage of the new space. And he did… Starting with—of all things—a simple… Read More
The following is a review by Stephen Fortner of Electronic Musician magazine in their September 2017 issue. We gigging keyboardists have pretty simple needs in onstage sound support. So why has fulfilling them always felt complicated? For mixing two or three keyboards in stereo and some way to feed our powered stage speaker separately from… Read More
The following was written by Bobby Cannon of Guitar Player Magazine in their September 2017 issue. When in the process of recording a new album, I’m always on the hunt for something that could add a little more magic to my guitar tracks. I also realized that my favorite Peavey® 6505 combo needed a little… Read More
The following is a review written by Alex Hawley in the July 2017 issue of Recording Magazine. Radial Engineering is well known for its collection of studio and live gear that can accomplish just about any I/O situation imaginable. The Radial JDX Direct-Drive™ does double duty as an amp simulator and direct box—it can run… Read More
Radial Engineering is pleased to announce that the Studio-Q is now shipping. The Studio-Q is a super compact, desktop talk-back/cue system. With more and more recording happening in smaller studios, the need for a simple talk-back system has become evident. Yes, there are other cue systems on the market, but most either have too many… Read More
Developed by Audinate®, Dante™ is a low-latency audio-over-Ethernet protocol utilized in professional and commercial applications. The DAN-TX and DAN-RX provide a simple and robust solution for sending or receiving two channels of analog audio over a digital Dante-enabled network. The DAN-TX includes ¼”, RCA, and 3.5mm inputs, with a single Ethernet output that allows you… Read More
The following was originally written by Paul White and published in the June 2017 issue of Sound On Sound Magazine. Designed to allow the guitarist to produce familiar amped tones without the need for an actual amplifier, Radial’s Tonebone JDX Direct-Drive™ emulates the tonal coloration of a guitar amplifier/speaker combination and would typically be used… Read More
