Gain
Accustate gain control sets the sensitivity and gain simultaneously for maximum signal-to-noise at all levels.
180⁰
Polarity reverse control used to phase align two mics, match up with vintage non-AES standard gear or help eliminate acoustic hot spots when used live.
LEDs
Signal and peak LEDs provide visual feedback of signal status.
100Hz HPF
Eliminates low frequency resonance to clean up tracks and is particularly effective when recording multiple acoustic instruments to avoid the modulation that can occur.
3 Band EQ
Low, mid and high frequency shelving controls are used for tone shaping to add clarity, warmth and character.
EQ In/Out
Bypass control lets you compare the tone of the original signal without the EQ and the tone created when the EQ is inserted.
Input Select
Toggles between the front panel XLR input and the Omniport ¼” instrument input for those who are equipped with a Radial power rack.
48V
Phantom power switch is recessed to prevent accidental turn on. This avoids loud pops that can damage tweeters or DC voltage that can damage older ribbon mics.
